New Studio Album ‘Ordinary Madness’ by Walter Trout to be released on August 28, 2020
Walter Trout and Provogue Records / Mascot Label Group have released a second lyric video in front of his upcoming new studio album Ordinary Madness out globally on August 28. The song, “All Out Of Tears,” was co-written with Teeny Tucker and Marie Trout. Trout shares, “In January, I was walking around at the International Blues Challenge in Memphis and ran into my friend (Blues singer), Teeny Tucker. I asked her how she’s doing and she told me of recently losing her son, Boston. She said ‘my heart is crying but my eyes are dry. I guess I’ve just run out of tears to cry.’ I felt so bad for her and asked her if she’d like to write a song with me to honor her son’s memory using those words – and my wife and I worked with her to turn it into a song about the loss and grief one feels when losing a loved one.” The pre-order is live, featuring configurations that include 2LP+MP3, CD, Limited CD Box, and MFiT Digital, all of which are available here
For Walter Trout, there is no ‘us’ and ‘them.’ Across his five-decade career, the great U.S. bluesman’s music has always been a lifeline and call-to-arms, reminding listeners they are not alone. Now, as the world seeks solace from a tragedy that has touched us all, he comes armed with a boundary-exploring new studio album and eleven searingly honest songs that bring his fans even closer. “There’s a lot of extraordinary madness going on right now,” considers Trout, of the COVID-19 crisis. “This album started because I was dealing with the flaws and weakness inside me. But it ended up being about everyone.”
Ordinary Madness was completed mere days before the U.S. shutdown, its cathartic songcraft and themes of shared troubles couldn’t chime better with a period in which our souls and spirits are under fire from tumultuous global events.
Watch “All Out Of Tears”
Admirably open about his troubled youth, and his own ongoing struggles with mental health, the bluesman had spent recent tours soothing himself by scribbling down his thoughts and feelings. It was only later he realized he’d just written the most honest lyric-sheet of his career – and felt he had an opportunity to let fans share and identify with him. “Everybody is dealing with something,” he says. “And I’m no different from anybody else. Ordinary Madness doesn’t mean you’re gonna end up in a mental institution. It’s just being human. It’s common humanity.”
Trout’s formative blues influences are well-documented, spanning from Paul Butterfield’s 1965 self-titled debut alongside Mike Bloomfield to John Mayall’s seminal 1966 ‘Beano’ LP with Eric Clapton. But as he cut his teeth in New Jersey, the young guitarist was also drawn to the maverick songwriters, taking in The Beatles, Dylan and Neil Young’s Crazy Horse. At every step of his career – moving to California in ’74 to back up giants like John Lee Hooker, joining Canned Heat and Mayall’s Bluesbreakers in the ’80s, then flying solo in 1989 – the stockpile of songs kept growing.
This time around, Trout is doing things a little differently. Led in by an electronic intro created by eldest son Jon Trout, the song sets off on a hypnotic groove with a gloriously languid guitar break that’s anything but autopilot blues. “I’ve broken the pinkie on my left hand three times in the past year,” remembers Trout, “so the guitar playing on this album took a little work, and there’s some anger and frustration in some of the solos. I really like that solo on the title track. It took two or three re-takes. But I think I nailed it.”
From that jump-off, a career-best album spilled out, as Trout convened his band of Michael Leasure (drums), Johnny Griparic (bass) and Teddy ‘Zig Zag’ Andreadis (keys) – along with long-time producer Eric Corne, plus special guests Skip Edwards, Drake ‘Munkihaid’ Shining and Anthony Grisham. The backdrop, once again, was the private LA studio of Doors legend Robby Krieger. “The whole place is full of vintage gear, and it’s all there for you, whatever you want. The keyboard that Ray Manzarek used in The Doors – it’s just fucking sitting there. I remember, on the rhythm track for OK Boomer, Michael Dumas, who runs the studio, comes walking in and says: ‘Here’s the SG that Robby used in The Doors – wanna try this?’ Then, for the rhythm guitar on Heartland, he says: ‘Here’s one of James Burton’s Paisley Telecasters…’”
Touring plans will be announced in the coming months as The World returns to some level of normalcy enabling all artists to return to staging appearances.
Pre-order Ordinary Madness