Robert Jon & The Wreck, Ride Into The Light, album cover front

Review: Robert Jon & The Wreck ‘Ride Into The Light’

By Mike O’Cull

Southern California roots rock outfit Robert Jon & The Wreck continue to turn the best parts of classic rock into irresistible new songs on their upcoming album Ride Into The Light.

The record comes out August 4th, 2023 on Joe Bonamassa’s Journeyman Records label and is another fine showing from one of the most vital bands of the present day. The group worked with legendary producers Don Was (John Mayer, Bonnie Raitt), Dave Cobb (Brandi Carlile, Chris Stapleton), Kevin Shirley (Iron Maiden, The Black Crowes) Joe Bonamassa, and Josh Smith on the sessions and this brain trust pulled one great performance after another out of everyone involved.

Robert Jon’s magic lives in his ability to seamlessly connect the hard riffs of Lynyrd Skynyrd, the soul of The Allman Brothers, and the hooks of Tom Petty into new songs that are free of cliches and full of power. He gets better at doing it with each new release and Ride Into The Light is clearly his most realized effort to date.

Fans will be glad that Ride Into The Light includes the four songs featured on the band’s recent EP release One Of A Kind, which include the instant rock and roll anthem “Come At Me,” the Americana-inspired “Who Can You Love,” and the riff-driven rock tracks “Pain No More” and “One Of A Kind.” These are the cuts produced by Grammy winners Don Was and Dave Cobb and are among the best selections on the record.

“Pain No More” opens Ride Into The Light with the bare-knuckle side of the band but quickly shifts gears into more melodic territory. Robert Jon and his band, made up of Andrew Espantman (drums, background vocals), Henry James Schneekluth (lead guitar, background vocals), Jake Abernathie (keyboards), and Warren Murrel (bass), slide from one flavor to another with the ease of players who comprehend the big picture intuitively. Schneekluth’s lead guitar work is especially satisfying and Robert Jon’s vocals top off the arrangement with his easily identifiable sound.

The mellow “Who Can You Love” follows and brings with it a taste of Eagles-ish country/rock complete with sweet vocal harmonies and tasty guitar parts. It’s one of those songs that has “hit single” written all over it and shows off the smooth and melodic sounds Robert Jon & The Wreck can create. RJ croons out the lyrics in a believable way devoid of cheese, which is tough to do in a love song, while The Wreck keeps a chill-but-steady pocket behind him. Once again, Henry James Schneekluth adds some perfect lead guitar licks, including some cool pedal-steel lines. He’s a future legend on his way up and fans of melodic, blues-based guitar virtuosity need to get acquainted with him.

“Bring Me Back Home Again” is a Southern Rock epic that employs electric and acoustic textures, a more complex structure, and outstanding dynamics. Robert Jon gives it all at the vocal microphone, coming off as larger than life. The rest of the band ebbs and flows with him and puts down some of their tightest ensemble work on the record.

There are only eight songs on Ride Into The Light, which makes every one of them a highlight. “West Coast Eyes” gets back to the California sound and features a wonderful slide guitar solo. “Don’t Look Down” is all about 70s hard rock, going for maximum impact from the jump. The title song, “Ride Into The Light,” closes out the album with a soulful feel and some well-harmonized twin guitar lines.

If it sounds like Robert Jon & The Wreck can do it all, it’s because they can. In the realm of American, song-oriented rock and roll, they’re the standard bearer all the rest must follow. Listen just once and you’ll know this to be true. Highly recommended.

‘Ride Into The Light” pre-order link here

Watch “Don’t Look Down”